In my practice an ethic of compassion and empathy of others as an aesthetic motivates me.

 

I strive to call attention to the categorical other-ing in not only art culture but in a larger cultural context.

 

I use textiles as a tool for critique.

 

Speculation of systems of power, exclusion and inclusion, separation and connection sustain my practice.

 

Subversion and humor are integral to my approach.

 

Cecelia Vicunia said,“The most subversive act is hope.” 

I agree.